• ALLES WAS SCHWEIGT GEHT IRGENDWANN KAPUTT, projection on the facade of Staatsoper Stuttgart, March 2021
deutsch
Philine Rinnert
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Call of Salomé
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Geist
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Muttersprache Mameloschn
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Zeisls Hiob
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Berlin
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One Day More / Extravaganza
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Berlin
Sophiensaele
Relic
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Munich
Bayerische Staatsoper
Wyspy (Islands)
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Warsaw
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Intrigo Internazionale (KV 492)
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Bayerische Staatsoper
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Berlin
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Murano & 32 Oil Paintings
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Amazonas
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Halle an der Saale
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Oper Dynamo West
Ein_Führung
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Oper Dynamo West
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Ex Machina

Stuttgart, Staatsoper Stuttgart

2020

an audio-visual journey to the voices of the future

For  EX MACHINA, the third part of the Orpheus Institute series, Müller/Rinnert tried a look into the future and asked international composers about how they are writing and will write for the human voice, juxtaposing it with interviews of the stage engineers from the opera house in Stuttgart who work hard to keep the opera machine running.

With the voices of
Detlef Rüffer, Harald Prösel, Tibor Namesnik (technical stuff Opera Stuttgart)

and the voices of the composers
Bernhard Lang, Donghoon Shin, Lisa Streich, Dai Fujikura, Genoël von Lilienstern, Sergej Newski, Yair Klartag, Olga Neuwirth, Gerhard Stäbler, Sara Glojnarić, Neo Hülcker

Vocals: Jule Flierl (part of her solo “Operation Orpheus”)

Research/direction: Johannes Müller and Philine Rinnert
Text: Gerhild Steinbuch
Sound: Lenard Gimpel
Production: ehrliche Arbeit – freies Kulturbüro
Thanks to Daniela Brendel and Ricordi Berlin and to Benjamin Krieg

Ex Machina is the third part of the Orpheus Institute series at the Staatsoper Stuttgart – in cooperation with artists Johannes Müller/Philine Rinnert and the Opera Ballet Vlaanderen (Antwerp/Ghent). Funded by the Doppelpass – Theatre Cooperation Fund of the German Federal Cultural Foundation.