• RARE EARTH – 17 Fragments, 5th – 12th May 2026, Museum für Naturkunde Berlin
  • Wait To Be Seated, a collaboartion of She She Pop & Sandbox Collective(Bangalore), 06. – 09.03.26 HAU (Hebbel am Ufer) Berlin
deutsch
Philine Rinnert
Everything Possible
2025
Berlin
HAU 1 (Hebbel am Ufer)
Bullshit
2024
Berlin
HAU 1 (Hebbel am Ufer)
HEAVY METALS – The Stones of Mitrovica
2024
Mitrovica
site specific
THE ART OF STAYING MANY
2024
diverse
public space
the black hole image
2023
Nijmegen
Valkhof Museum
Tattooing The Earth
2023
Vienna
brut Vienna
Studio Ukraine
2022
Berlin
Haus der Statistik
B.A.L.L.
2022
Berlin
Haus der Berliner Festspiele
Liebestod
2022
Gent
Opera Ballet Vlaanderen
Arise
2021
Wien
Wiener Festwochen
processing borders
2021
Münster
Film
Etablissement
2021
Berlin
online
Sportplatz Europa
2021
Vienna
brut
Nothing will be archived or The Mistress of the World
2020
Berlin
Sophiensaele
Ex Machina
2020
Stuttgart
Staatsoper Stuttgart
Human Jukebox or We are Music
2020
Stuttgart
Staatsoper Stuttgart
Sing Out! A Larynx-Cabinet
2020
Stuttgart
Württembergischer Kunstverein
Oratorio Europa
2019
Vienna
brut Wien
Im Weissen Rössl am Central Park (In schlechtem Deutsch und ebensolchem Englisch)
2019
Berlin
Sophiensaele Berlin
Vor dem Fest: Gegen die Welt
2018
Münster
Burg Hülshoff
White Limozeen
2018
Berlin
BAM!
Aids Follies
2018
Berlin
Sophiensaele
Bergeins
2018
Wien
brut
Mean Greene Mother From Outer Space
2017
Berlin
Kudamm-Carree
Global Belly
2017
Berlin
Sophiensaele
How to speak across borders?
2017
Berlin
Performing Arts Festival
Friendly Fire
2017
Stuttgart
ECLAT Festival neue Musik
Pencil, notebook, laptop
2016
Vienna
Museum of Literature
Finsternis
2016
Vienna
brut
Reading Salomé
2015
Berlin
Sophiensaele
Call of Salomé
2015
Munich
Bayerische Staatsoper
Geist
2015
Glasgow
Tramway
Wyspy (Islands)
2011
Warsaw
Nowy Teatr
Muttersprache Mameloschn
2015
Saarbrücken
Saarländisches Staatstheater
Zeisls Hiob
2014
Munich
Bayerische Staatsoper
We Are The Monsters
2014
Aberdeen
The Lemon Tree
Notebook Series
2014
Düsseldorf
Quadriennale / KIT
I not I
2012
Glasgow
Tramway
Previously On
2014
Vienna
Garage X
Most beautiful is…
2011
Graz
Steirischer Herbst
Opération spirituelle [RPM45]
2012
Berlin
Sophiensaele
One Day More / Extravaganza
2012
Berlin
Sophiensaele
Intrigo Internazionale (KV 492)
2010
Munich
Bayerische Staatsoper
Herculanum
2013
Berlin
Sophiensaele
Cheap Blood (199)
2010
Berlin
Sophiensaele
Amazonas
2009
Berlin
HAU (Hebbel am Ufer)
Fort_Führung
2007
Berlin
Oper Dynamo West
Ein_Führung
2006
Berlin
Oper Dynamo West
Am Steg #5 – A Topping-Out
2009
Halle an der Saale
Thalia Theater
Relic
2012
Munich
Bayerische Staatsoper
Murano & 32 Oil Paintings
2010
Munich
Bayerische Staatsoper
imprint
×

Bullshit

Berlin, HAU 1 (Hebbel am Ufer)

2024

That’s bullshit: slang for something that’s false, discredited, nonsense. Or something that is made up, fake, misleading, a deception.

On an empty stage, She She Pop find themselves as salespeople in the endless loop of a sales show. Everything’s on offer. On and on goes the search for something they can still put a value on, only to sell it off. Can they still grasp reality with their senses, describe it with words? Can it still be saved? Can anything withstand the clearance? She She Pop have lost their orientation. The central perspective – which taught them how to focus on any goal – has dissolved. Along with the audience, the performers find themselves in a state of free fall. There’s a a schism between events and the words that describe them. And into this abyss they fall deeper and deeper.

In Bullshit, She She Pop courageously confront the loss of a shared reality. They acknowledge that they know nothing, that even the poetic reality of the theatre space has been affected. So they try to leave the bubble of their perception to take on other proportions, to see other colors, to communicate like a bat with sonar, and to find themselves in absolute darkness. Embracing uncertainty, they dedicate themselves to unlearning and to imagining different ways of seeing. Can they succeed in creating a positive experience out of the chaos, in finding meaning in randomness, in creating sense in the confusion of possibilities – or, as a last resort, in declaring bankruptcy to be a comedy?

Trailer

Concept/Idea: She She Pop, Created and performed by: Sebastian Bark, Johanna Freiburg, Lisa Lucassen, Mieke Matzke, Ilia Papatheodorou, Berit Stumpf.

Artistic Advise: Rodrigo Zorzanelli, Director of Photography & Video Installation: Benjamin Krieg, Technical Videodesign Consultant: L Wilson-Spiro, Video Support: Guillaume Cailleau, Stage: Philine Rinnert, Costumes: Lea Søvsø, Costumes Assistance: Margarita Rozhkova, Support Realisation Costumes: Emma Cattell, Simon Kernen, Music, Sounddesign, Sound installation: Santiago Blaum, Sound, Support Sounddesign: Manuel Louis Horstmann, Live Sound Mix: Santiago Blaum, Manuel Louis Horstmann, Light Design: Michael Lentner, Technical Director: Claes Schwennen, Dramaturgical Advise: Lidiia Golovanova, Intern: Neïtah Janzing, English Live Translation: PANTHEA, Audio Description: Pingpong Translation & Subtitling, PR & Communication: ehrliche arbeit – freelance office for culture, Communication: Tina Ebert, Production: Tina Ebert, Aminata Oelßner, Elke Weber, Company Management: Aminata Oelßner, Elke Weber.

A production by She She Pop in Co-production with HAU Hebbel am Ufer Berlin, Kampnagel Hamburg, Künstler*innenhaus Mousonturm, FFT Düsseldorf, Residenz Schauspiel Leipzig, HELLERAU – Europäisches Zentrum der Künste. Supported by: Theaterhaus Berlin Mitte.
Funded by Berlin Senate Department for Culture and Social Cohesion Berlin and the German Federal Cultural Foundation.

Photos: Benjamin Krieg